Feb 23

The Art of Film Noir Cinema

The term film noir was coined by French film critics, and literally means “black cinema.” This cinematic term was first attributed to Nino Frank, who applied it to Hollywood films released right after the Second World War. He said that many American crime and detective films released in French theaters at that time had a pessimistic and rather fatalistic view of reality.
Film noir movies reached their heyday during the second golden age of Hollywood cinema, helping to define the crime and mystery genre for subsequent generations. Film noir is visually characterized by black and white cinematography that traces it development to German Expressionist cinema.
The term film noir was unknown to contemporary American film makers, but the sobriquet caught on with American film critics in the 1970s. American film historians would go on to define the film noir canon in retrospect.

Films that would come to epitomize classic film noir include The Maltese Falcon (1940) and The Woman in the Window (1944). Directors such as Fritz Lang and Nicholas Ray helped shape the development of film noir.
Film noir had some defining features: the protagonist was usually a cynical cop or private detective. A common source of interest was the iconic femme fatale, who provided both mystery and romance to a normally bleak storyline that encompassed multiple murder and suicide cases. Many viewers can watch movies free on websites that offer streaming or downloading of classic film noir movies.
The classic film noir femme fatale was epitomized by Hollywood beauties such as Ava Gardner and Lana Turner. Marilyn Monroe played a femme fatale briefly in Asphalt Jungle. The film noir femme fatale was usually a voluptuous woman clad in a skimpy red dress. In one hand, she held a filtered cigar, and with the other, a murder weapon she would use to threaten the protagonist. Many interested viewers can watch movies free on websites that offer film noir movies.
Film noir movies were often more experimental than standard Hollywood features. This was because most film noir productions were what we would recognize today as B-grade films which did not appeal to mass audiences. Narrative voiceovers and flashbacks were often convoluted, while dramatic, shadowed photography and unusual camera angles were explored by directors. Many film noir aficionados can still watch movies free on websites that offer classic cinema.

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Feb 20

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    Bharat is the quintessential Indian common man, or aam aadmi, who lives in Bhopal, in Central India. He is a cashier at a bank, and, like all bankers, has a trusted sidekick his scooter. He is also a part-time actor, and portrays the role of Hanuman, the monkey God, at the local Ramleela skit. His family consists of his wife, Nisha, a schoolteacher, and his father, Shivnarayan, a patriotic, idealistic man, who dreams of a corrupt-free nation. Then there is Amita, the unwanted guest, who is an employee with a call centre. She is a pretty young thing, which is enough reason for Nisha to be slightly insecure about her marriage. Nisha is ambitious for her husband, and would like him to be promoted from cashier to manager at the bank. Bharat, however, has other goals. He wants to be Ram, the protagonist in Ramleela. Sattu Tripathi, an extremely bad actor, gets to portray Ram, without opposition, because he is the younger brother of the politician, MLA Manku Tripathi. Both the Tripathi brothers dislike Bharat, for different reasons. Sattu is overshadowed by Bharat s superior acting skills on stage, leading to a rivalry between the two. Manku, on the other hand, is miffed with Bharat, because the extra room in the latter s house is now used as a re-election campaign room by Mohanlal, Manku s adversary. And then one day, Bharat s table-fan gets stolen. The police constable, Parshuram Khushwaah tells Bharat that the local paanwalla, Bacchu Gulkand, can testify in court that it was none other than Chunnu Farishta, burglar par excellence, who is responsible for the crime. A rather reluctant Bharat then gets sucked into a system that worships corruption and dishonesty, and is forced to bribe his way through criminals and law keepers alike, just to get this table-fan back. What the system does not seem to realise, however, is that even somebody as common as Bharat can snap, and when he does, he can make life hell for a lot of people.

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